Todo libro está enmarcado en sus coordenadas espacio temporales. Así sucede con este navío de signos y sentires. La inscripción crea una dialéctica con la misma esencia de nuestra existencia posmoderna, migrante. Empecemos con la poderosa referencia que nos presenta el título, el juego (ingenioso leela) con una obra maestra de la cinematografía, me refiero a la película de Sergio Leone: The Good, The Bad and The Ugly (1966).
Gaby Sambuccetti (Argentina) is an Argentine born, UK-based writer. She holds a BA in Creative Writing from Brunel University (London), she is a Latin American & Spanish Literature Teacher (Argentina) and she is currently studying a MA Modern Languages, Literature and Culture at King’s College (London) at which she has been awarded with the Von Schlippenbach PGT bursary and with the Cosmo Davenport-Hines poetry prize for 2022. She is the founder and director of La Ninfa Eco, an international organisation with a team of writers from Europe, the UK, the US and Latin America. She was the former co-director of events at the Oxford Writers’ House (Oxford, UK) a hub that used to bring Oxford Universities and local communities into dialogue through creative writing projects. In 2019, She has been invited to the House of Lords (UK) to be part of a discussion about writing and freedom of the press. She is the author of 2 books in Spanish published in Argentina, Glasses Love to be Broken (Argentina, Baobab, 2010), To the Knot for What it Took Away (Argentina, De los Cuatro Vientos, 2012). Also, she published a book in the UK called The Good, the Bad & the Poet (El Ojo de la Cultura, London, 2020). Her books, reviews, collaborations appear in different magazines, anthologies and literary projects from Argentina, Brazil, Peru, Germany, Bolivia, the US, Mexico, Chile, Spain, Bangladesh, India & the UK.
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